Problematizing the popular: the dynamics of Pinoy pop(ular) music and popular protest music
www-tandfonline-com.oca.rizal.library.remotexs.co/doi/full/10.1080/14649370701393766
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In 1973, the pop music industry in the Philippines, long dominated by the American Top 40, was jolted by the emergence of a new kind of sound that delivered soulful Filipino lyrics in the medium of Western rock.
This experimentation within and outside the industry generated great interest across social classes and opened many possibilities for new kinds of popular music, later to be called Pinoy (slang for Filipino) rock or Pinoy pop music.
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